Tuesday, December 10, 2013

Review November assignment: "Leading Lines"

December's assignment "Bokeh"


Our presentation:
Jason Jacopian will take us through the Micron studio
He will present:
Studio – A dedicated space for specific kinds of work, in our case primarily photography and video production

Features
            High Ceilings
Sound dampening
Cyclorama, or “Cyc”
Lighting Grid & Dimmer Board
Integration with Master Control & Webcast System
Sets

Equipment
                Cameras & Lenses, Macro Equipment
                Computer capture station & Network
                Tripods and Camera Stand
Light stands, C-Stands, Pantographs, Weights, High Rollers and Frames
                Apple Boxes, Camera Platforms
                Green Screen and Backdrops
                Lighting equipment
                                Types of continuous lights – Tungsten, Fluorescent, HMI, LED
                                Types of flash – Speedlights, Monolights, Pack and Head             
strobist.blogspot.com
Barn doors, flags and scrims, umbrellas, gels, foil, soft boxes

Teleprompter

Thursday, November 7, 2013

Review October's assignment "Get Closer"

November's assignment "Leading Lines"

Our presentation is by David Swindler

The wilds of Alaska have been a magnet for outdoor enthusiasts over the years.  The diversity of scenery is truly staggering.  Rugged fjords, glaciers, and thick vegetation line the Southern coast. 
Further inland, wild rivers rage, endless craggy mountain peaks loom overhead, and rolling hills of tundra and trees beckon.  In the Arctic North, the treeless Brooks Range dominate the sky while the vast lowland plains of the North Slope eventually lead to the Arctic Ocean.  Despite these accolades, the best part of Alaska has to be the extraordinary wildlife populations that inhabit and flourish in these varied ecosystems.  Marine mammals thrive in the coastal waters. 

Mountain goats and Dall Sheep flank the high ridges and rocky moraines.
  Moose congregate in the wet lowlands and birds and raptors of all kinds can be found in certain seasons.   Coastal Brown Bears are busily catching spawning salmon while inland Grizzly Bears forage for tundra berries.

Large herds of caribou will migrate huge distances always in search of new food sources. 
In the North, polar bears congregate along Arctic Ocean waiting for the ice to freeze over while Musk Oxen dig through the snow to find food.

In this presentation, David Swindler will present a brief snapshot of the various wildlife hotspots around Alaska. 
Featured locations include Katmai National Park, Kenai Fjords National Park, Denali National Park, Gates of the Arctic National Park, and the Arctic North Slope.  Various tips will be provided to help the visiting photographer get the most out of his/her visit, including budget options for those with limited resources. 

In addition to wildlife, Alaska offers stunning fall color.  The presentation will include a brief discussion on when/where to go to find the best color.  If visiting during the fall/spring equinox periods, chances are good you will see the Northern Lights on a cloudless night.  Tips for aurora watching and photographing will also be included as time permits.


The end goal of this presentation is to whet your appetite for Alaskan adventure. 
There is truly something here for everybody.  The breathtaking photographic options will inspire you for years to come.  Once you come to Alaska, you’ll definitely want to go back again and again!

Thursday, October 3, 2013

Micron Photo Club Agenda October 3rd

Review Septembers photo assignment "Negative Space"

October's photo assignment "Get Closer"

Mark Wallace - video of Get Closer
As a general rule, the closer you get to the subject, the better your pictures will be.  Getting close eliminates distracting, unnecessary backgrounds and defines your subject clearly.
     There's an old adage in photography that says if you want to improve your photographs 100 percent, move closer. It's true. The one sure way to keep from including too much extraneous information in a photograph is to fill the frame with your subject and nothing but your subject. Filling the frame from edge to edge leaves little doubt about what your intended target was. There are two ways to get closer: Use a telephoto lens or put some more wear on your walking shoes.

Presentation by:
Fabiana Beatriz
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I have lived in Argentina, Saskatchewan, British Colombia, Idaho, Utah, California, Rhode Island, Massachusetts, and New Mexico. I convinced my husband to move to the "promised land" ten years ago. I LOVE Idaho and the diversity of nature that we have here. Whether we are shooting downtown or out in the golden fields, we have everything that I could dream of!